900 Stories in Print: Ongoing

We're delighted to announce that Edinburgh Printmakers is taking part in the City of Edinburgh Council's Edinburgh900 celebrations. 

 

Castle Mills: Then & Now | 900 Stories in Print is capturing and publishing 900 industrial stories, engaging with communities in Fountainbridge and the west of Edinburgh, with stories told through words, audio, visual art, and film. The placemaking project is recording personal histories, recollections, memories and tales responding to Fountainbridge’s industrial past and present.

 

The project centres on Edinburgh as a City of Industry, aiming to improve civic and community pride in the working-class history of the West End of the city, established through the second industrial revolution, and still site of thriving modern creative industries. The Castle Silk Mills were originally built on the Canalside in 1836, and later became the headquarters of the North British Rubber Company up to the 1970s until Scottish & Newcastle Breweries Ltd took over the site until its closure in 2010.

 

Between August 2024 and August 2025, we will collect 900 diverse stories with in-person activities and events reflecting on the built, social and intangible heritage of Fountainbridge and neighbouring areas including Gorgie and Dalry.  This unique collection of stories will then be used to inspire a final visual arts project: commissioning an artist printmaker to produce a print edition, providing a visual representation for many diverse voices. This handmade fine art print edition will be displayed in the Rear Window Gallery in August 2025. All 900 Stories contributors will be invited to attend the exhibition.

  • We welcome written, audio and film digital submissions. Please email your contribution to info@edinburghprintmakers.co.uk with the subject line: "Edinburgh900"
     
     
    or you can post hand-written stories to:
     

    Ilaria Casini - Edinburgh Printmakers

    1 Dundee Street 

    EH3 9FP Edinburgh 

    Scotland (UK) 

     
    We are accepting contributions until Saturday 31st May 2025.
     
     

    There isn't a story too short or too long to submit

     
     
  • This placemaking project records personal histories, recollections, memories, and tales responding to Fountainbridge’s industrial past and present.

  • We welcome stories submissions from anyone connected to Fountainbridge and the west of Edinburgh, whether they lived, studied or worked...

    We welcome stories submissions from anyone connected to Fountainbridge and the west of Edinburgh, whether they lived, studied or worked here in the past or still do today. A lot of the heritage of this area, connected to the many industries that developed here over the last two hundred years, only exists as oral histories, shared family memories and community tales. We encourage anyone to submit anedoctes passed on to them by older generations and recollections of people who have been linked to this history and are no longer with us. 

     

    We hope for these stories to reveal the industrial past of our location as well as reflect community hopes for the future of these rapidly developing neighbourhoods. 

     

    A story can be a memory or recollection but also a simple description of a daily commute to work, having walked through Fountainbridge on a recent visit to Edinburgh, sharing about a stroll or cycle down the Union Canal or maybe some future plan to take on kayaking or get on a barge for a tranquil journey on its waters.

     

     

  • As part of this project, we are hosting free weekly creative workshops on Fridays (11am-1pm) for anyone to join. The...

    As part of this project, we are hosting free weekly creative workshops on Fridays (11am-1pm) for anyone to join.

     

    The relaxed events will vary week to week, and might include printmaking, cookery, storytelling, poetry, crafting, or other creative activities. Whether you're feeling in the mood for making or just want to meet people, come along and chat with us about your experiences of the local area, memories of its history, or hopes for its future.

     

    All of the workshops will also include free lunch for all participants.

     

    No need to book - just come along for as long as you like and say hello!

    To see the schedule for each session click here. 

     

    The drop-in sessions will be on Fridays (11am-1pm) from 4 October 2024 - 20 December 2024, and from 17 January 2025 - 30 May 2025

  • 1, 2, 3 ... 900 STORIES

    "What stands out for me is the combination of the traditional and modern buildings, as well as the canal where wildlife and nature are in such close proximity to the community." - James H.

    "I remember standing in Fountainbridge opposite the windswept mall, watching a huge murmuration of birds swirling in the sky above. I remember someone telling me that one street nearby used to always stink of eggs and rubber because of the many industrial workshops. I remember a crazed old drunk outside the library telling me excitedly 'We ate a rat!', and then finding a £10 note in a puddle. Glorious seedy Fountainbridge." - Anonymous 

     

    "What I like about Fountainbridge is having the community of Edinburgh Printmakers even closer to home. I enjoy the walk there, often stopping at the canal for a few moments and watch the world go by. - Patricia Willder

     

    "Fountainbridge seems to be in a constant state of change. " - Anonymous

     

    "My father told me that Sean Connery went to the Palais De Dance in Fountainbridge on a regular basis and was known there as the Rubber Mill Romeo!" - Anonymous 

     

    "I am a student in Edinburgh and I love going to the Printmaker's cafe to study in the luminous space. I came across a signpost for a creative drop in so I figured I'd pop in to have a break and relax. I ended up creating an animation drawing for the first time in such a supportive environment. Everyone was friendly and welcoming, we had soup and I left with both my mind and body nourished." - Julia R

  •  

    Listen to stories of life on the Union Canal

    [CLICK HERE]

  • "I was employed at the age of 15 to work as a 'postboy' in the Postal Department (in the basement of the Head Office building) of Uniroyal Castle Mills, in May 1968. There were 3 postboys employed at any one time and the working regime saw them working in the postal department between 6 and 12 months until such time as a vacancy arose elsewhere in the Head Office and they transferred there. The postboys were in a somewhat unique position within the offices and factory/production spaces as we were allowed access to the entire complex in order to deliver and collect mail. The majority of employees were restricted to only accessing the areas in which they worked.
     
    I continued working in the postal department until February or March 1969 when I transferred into the office within the Hose Factory building. While most of the production at Castle Mills, and all of the Head Office functions, was in the process of transferring to Newbridge (tyres and Royalite plastics) or Heathhall, Dumfries ( flooring, Tredaire, golf balls, Hunter boots, power grip belts and more), the hose factory remained at Fountainbridge (small bore high pressure hose for engines, oilfield drilling hose, shipping/tanker onloading and offloading hose, reinforced rubber expansion joints for steel pipelines in hot or very cold climates, and dock fenders). Through a company restructuring in early 1972 I was made redundant and while this was subsequently revoked I had by then found a job working in the Scottish Office (Civil Service) and I left Castle Mills in May 1972. 
     
    In 2012 I discovered the existence of a webpage for former employees of The North British Rubber Company and Uniroyal Limited entitled 'nbrinklies.com'. I joined the Group and soon found myself involved in a lot of what it was doing as the person responsible for seting it up, David Air, a former senior manager at Castle Mills, had retired and was living in Florida, USA. My first project started in 2014 was to see if I could positively identify the 106 former employees who died on active military service during World War One and who were named 'Roll of Honour' which used to be mounted at the factory gate at Castle Mills but is now on display in the Industrial Heritage section of the National Museum of Scotland. I have identified 98 of those named and have provided the Museum with relevant details."  - Bruce Stewart 
     
     
  • Mindfulness Session Stories

    4th October This session was delivered by EP Heritage Engagement Officer Ilaria Casini.
  • Boroughmuir Highschool Students Stories

    'I enjoyed my experience at the printworks, it was very fun. I loved using the equipment and presses. I also...


    "I enjoyed my experience at the printworks, it was very fun. I loved using the equipment and presses. I also liked walking there with my friends along the canal in the sun. It was spectacular, seeing the rubber works and old prints was very cool."

     

    "It was very interesting getting to do the workshop. I had a lot of fun, and it was great to see the whole process, do it, and use the old printmaking machine. As well, getting to be actually inside the building was a very fun experience. It's the old rubber factory building. The local area was also very nice. The canal festival is an experience in the local area I've seen many times. It's always a good time."

     

    "The printmakers was a very good experience, because I was really enjoying the printmakers workshop. I hope there will be much more people to know the Edinburgh Printmakers and have a try for it, because they are very interesting."

     

    "It was a new experience I hadn't done before and I found it extremely thrilling to attempt this new style in territory I had never wandered into before. It gave a sense of history connecting me with the past and an insight into what others enjoy so much. In the local area I attend school and sports clubs. In comparison, sports may take a slight edge over dry point etching but they deserve to be compared. THANK YOU Printmakers!"

     

  • 'I really enjoyed going to the printmakers as I haven't been before also seeing the old building was very interesting...

    "I really enjoyed going to the printmakers as I haven't been before also seeing the old building was very interesting as I had no idea how huge it was it was inside. It was a new experience, that I loved and would like to go again. I got along the canal to play football locally quite often and I find it very fun and helpful how near by it is."

     

    "It was my first time going to the printmakers and it was nice to see the rubber factory. I found it intersting to see and be involved in the process of the printmaking. It was a messy experience but so worth it as the results of the prints were so unique and facinating. The working staff were also so polite and helped to ensure the prints turn out as good as possible. I will definitley use the techniques I adopted from this workshop in future circumstances."

     

    "The Printmakers was a great experience. I enjoyed learning the print types and visitng the beautiful building and surrounding area. I was very interested in the historical rubber works building and how it was repurposed into the printmakers."

     

    "I really enjoyed our printmaking session, it was fascinating learning how to do different types of prints. As well as walking through the historical, transformed building, (rubber works). I loved using the old printing press, as it was used so long ago."

     

     

    SUBMIT YOUR STORY

  • Drypoint Etching Session Stories

    11th October
    This session was delivered by freelance artist Carla Smith. 
  • NKS - Young Adults Printmakers

    NKS - Young Adults Printmakers

    Young Adults Printmakers is a series of monthly meetings with a group of young adults with autism from the Networking Key Services broader network of South East Asian communities.

    During these meetings the group engages with the tradition and heritage of printmaking in Scotland and South East Asia, developing new technical creative skills and also gaining and co-producing knowledge about the history of this neighbourhood to develop a new sense of belonging and agency over its history.

     

    During the first meeting we collected memories, feelings and thoughts that we connect to the area of Fountainbridge:

     

    "When I think of connecting to this area, I think of Union Canal, Polwarth Church, and Boroughmuir School."

    "I connect Fountain Park cinema, and NKS family to this area."

    "The smells of my high school art class remind me of this area."

    "The traffic sounds and chatter of people in a room remind me of this place."

    "Whenever I smell paint or ink I now think of this building."

    "Pizza Hut, Ten Pin activites, and food remind me of Fountainbridge."

    "Construction smells make me think of this place."

    "EICC is important to me, because I was able to attend Comic Con and meet Marvel actors."

    "Places that are important to me near this area are Meadows Park, Brunstfield Church building, the bridge near the Polwarth Church, and the Edinburgh Uni buildings at Tariot Place."

    "Kings Building, Odean Cinema, Lothian road, Kings Theatre, Fire Station, Fountain Park, Cameo Cinema, and Old Royal Infirmary are all places that are important to me." 

    "Haymarket Station is important to me, as I commute often."

     

     Learn more about the wonderful work of NKS - Networking Key Serives on their website.

  • Autumn in Edinburgh Session stories

    18th October This session was delivered by EP Studio Assistant Namhara Byron Low.

    "I like Autumn in this area because of the fresh air, the light, and the canal. I like coming to the autumn art workshops at Edinburgh Printmakers- especially the one with all the local leaves! I hope in the future there will be more green spaces, just like the rest of the city."

  • Vegetable Printing Session

    25th of October
  • This session was delivered by freelance artist and educator Morven Ferguson.
  • "Draw Me A Story" Session

    8th of November This session was delivered by freelance artist and illustrator Georgia Cowley.
  • EP Staff Stories

    14th of October
    In October 2024, Edinburgh Printmakers staff took part in a storytelling workshop facilitated by George Thomson and Rachel Nicole Edgar...

    In October 2024, Edinburgh Printmakers staff took part in a storytelling workshop facilitated by George Thomson and Rachel Nicole Edgar from How We Meet.
    During the workshop staff shared stories about their time working at EP, their first time visiting the site and their relationship with the heritage building of Castle Mills and broader area of Fountainbridge.

    They reflected on their connection to the history of the area, their present work developing the Castle Mills legacy and also tehir hopes and dreams for the future. 

     

    Listen to EP staff stories below!

     

  • Katy Dove Afternoon at Edinburgh Printmakers

    24th of October
  • Katy Dove at Edinburgh Printmakers in 2004

    Reflections by Alastair Clark
    In 2004, artist Katy Dove worked with Edinburgh Printmakers to create three fine art prints editions. Edinburgh Printmakers Head of...
    Katy Dove, Double Life.

    In 2004, artist Katy Dove worked with Edinburgh Printmakers to create three fine art prints editions. Edinburgh Printmakers Head of Editions, Alastair Clark remembers working with her.

     

    “We wanted to approach it in the same way that she made her animations come to life. She was a visual artist, who then worked with moving image and produced music. So, it was that crossover between drawing and the drawings coming to life with sound that we needed to transpose into a print. [...] I remember she really liked to work with felt pens and coloured pencils. That’s what she used to make work for her animations. Those materials are quite challenging, so if you’re making screenprints and separations, they are very transparent, generally not very suitable. So, we had to make up some alternative ways of working” 

     

    I thought it would be fun to use the elements from her animations – little characters and shapes, cut out and lines- and have her draw these directly onto acetate. We then played with printing them in different positions so in keeping with them being moving cells on animation. That’s just how we ended up making the two small prints: they are made from the same elements just positioned in different ways." (Double Life and Double You).

  • “We didn’t really pre-plan much, we printed some background squares I think and then added a couple of shapes. We...
    Katy Dove, Double You

    “We didn’t really pre-plan much, we printed some background squares I think and then added a couple of shapes. We worked quite fast and in a spontaneous way. I would be on the screenprinting table, and she would be on the bench, four feet away from me, exploring and playing by drawing different things. We would just talk to each other over our shoulders, and I liked that she knew what she wanted. It was a very easy, and a spontaneous way of working. "

     

    It’s really nice when you can be in that creative moment with somebody and help them get a result they’re pleased with. She was serious in her approach to her work but at the same time she liked to have a playful character. She knew what she didn’t like, which I appreciated a lot because it’s very hard to work with an artist if they don’t have a clear vision. That way I know what they want to create, and I can help them with the technical side. She was great at communicating and that is essential in this work environment. "

  • Collage Session Stories

    15th of November

    This session was delivered by EP Heritage Engagement Officer Ilaria Casini.

     

  • Memories of Fountainbridge

    Kitty Johnstone
    The Leamington Lift-bridge

    The Leamington Lift-bridge

    This is one of my favourite bridges- forget Sydney Harbour Bridge, Tower Bridge, even Le Pont d'Avignon. Originally this wee bridge was built to permit road traffic and canal barges to co-exist near where Tolcross Primary School stand to this day. When the Port Hamilton was no longer in use the bridge was moved to its current situation at Leamington. It's quite a sight to see the deck rise to allow Canal boats and barges access to and from Lochrin Basin. I walk from Lochrin Basin to Gibson Terrace from East Fountainbridge to the Library at Dundee Terrace relatively often, and always look and enjoy the sight of the Bridge. I also remember the times I've been on the Canal and have not only seen the bridge in action, but have experienced the benefits first hand. 

     

    In this photo the bridge is undergoing some refurbishment.

     

    I'm very grateful to who ever decided to keep the bridge, even to the point of ensuring it was restored, not just to look pretty, but to be in full working order.

  • Dalry Baths

    Dalry Baths

     

    "I used to go swimming at Dalry Baths- but Infirmary Street was where I went to have a bath... long ago very few of the Victorian era flats in Edinburgh had bathrooms of their own- in fact, into the sixties, even seventies, some had shared toilets. The reason I went to Infirmary Street was because I could have a huge bath, all to myself, for 1/- (one shilling). The attendent used to come with her big spanner to turn the tap on, whereas the more modern baths, with their two taps, were self-service and the bath itself was a small, modern one. A bath like that cost 1/6d (one shilling and six pence). I could get a poke of chips for the difference in price!! Usually Mum would give me 2/6d (half-a-crown) - 1/6d for the bath, and two sixpenny bits for bus fares. (We lived at Tolcross then). For the extra 1/6, if I walked both ways instead of taking the bus, I could get a sausage supper, or a poke of chips and a wee bottle of lemonade (aka skoosh/ginger/or fizzy juice, depending on who you were with).

    St Cuthbert's Co-op 42 Fountainbridge- the Dividend. My number was 1566, mum's 923."

  • “The Movies and Cinemas two of my aunts lived in Edinburgh and, when I was very young, I used to...

    Poole's Roxy Cinema.

    Image courtesy of ScottishCinemas.org and Genni Poole.

    “The Movies and Cinemas two of my aunts lived in Edinburgh and, when I was very young, I used to come to stay with them for the holidays. Part of the pleasure of which was being spoiled rotten. Besides the Zoo and Portobello Pool, I was taken to the Cinema! There was the Pools Roxy Cinema, just at the Western edge of Gorgie. One of the movies I saw there was Davy CrockettOther cinemas between Lothian Road and Gorgie/Slateford were the New Tivoli (on Gorgie Road), the Lyceum (Slateford) and the Regal; oh, and the Caley near the foot of Lothian Road. I saw the film “The Belles of St Trinians” there in the mid 1950s not long before actually coming to live in Edinburgh. Oh, and the Scotia in Dalry Road. 

     

    I remember, too, when Cliff Richard and the Shadows came to perform at the Regal (it’s still there, on the corner of Morrison Street and Lothian Road), only it is now “The Odeon”. Late 1963, or early 1964, Mum got a message from one of my aunts who had a phone at home, she had had had a call from yet another of my aunts, this aunt lived in what was then a border village. In those days the border in question was between what was then the Upper Ward of Lanarkshire and Midlothian, pre-regionalisation. The message was “would Catherine mind going to the Regal to get tickets for Helen (my cousin) and her to go to see Cliff Richard”. I got there, I thought, really early. A whole hour before the booking office was due to open. The queue was halfway to Semple Street! The concert was in April of 1964. I’m not sure of the date the tickets went on sale, but I remember how miserable the weather was. When the sleet started the queue was all the way to Semple Street. Everyone was pushing to get in... I did too. There was no option, unless I wanted to act as door-mat-in-chief. Suffice to say, I got the tickets, and we went to the concert. I was never a Cliff Richard fan, but I liked the Shadows, and, overall, I enjoyed the event.”
  • The Building of Fountainbridge Library

    20th of November
    This talk is delivered by independant Curator and Art Historian, Alice StrangWhilst a Senior Curator at the National Galleries of Scotland, she curated many exhibitions and wrote or edited many publications about Modern Scottish and Modern British Art including the Scottish Colourist series of F. C. B. Cadell, J. D. Fergusson and S. J. Peploe retrospectives and A New Era: Scottish Modern Art 1900-1950. It was whilst researching the latter that she became aware of the significance of Fountainbridge Library, her own local library.
  • Crochet Session Stories

    29th of November
    This session was delivered by EP Sales, Gallery and Archive Assistant Larissa Hamilton. 'I remember when I first came to...

    This session was delivered by EP Sales, Gallery and Archive Assistant Larissa Hamilton.

     

     

    "I remember when I first came to Fountainbridge, the canal was full of shopping trolleys and assorted crap - it looks really nice now! I've been on a couple of the barges this year and it's been a great asset to the city. You also get swans around on the canal occasionally."

     

    "I used to visit my now husband, when he lived on Polwarth Terrace, and there was a hell of a smell - the hop smells. It was a very distinct point in time, when you cycled through the smell and were like 'Oh, I've arrived in Polwarth'!"

  • Pasta (print) making session stories

    This session was delivered by freelance artist Carla Smith.
  • 'I just discovered this area last week. I have been in Edinburgh only since the beginning of November. I discovered...

    'I just discovered this area last week. I have been in Edinburgh only since the beginning of November. I discovered it with the Christmas market and the printing workshops on Sunday 1st of December. I really loved Edinburgh Printmakers and the workshops I did were great. As I was looking for somewhere to meet people and share, I decided to come back today. I will be exploring the area a bit more after today!' - Anonymous

     

    'Making pasta together as at the Edinburgh900 workshops is so important, it’s wonderful to share, cook and eat with others. It helps us on so many levels.' - Anonymous

     

    'Cooking and eating together as we did making pasta at Edinburgh Printmakers it enhances a feeling of community' - Anonymous

     

    'Things I associate with this area are the canal and bike rides as well as Gorgie Farm' - Anonymous

  • 'Things I associate with this area are: being a student and eating cheap food but also a guide dog I...

    'Things I associate with this area are: being a student and eating cheap food but also a guide dog I saw once stealing a kid’s ball!' - Anonymous

     

    'I associate pizza hut and cinema trips as a teenager to this area' - Anonymous

     

    'When I think of this area, i think of the canal and the swans sculptures, Harrison Park and going with a friend and her kids.' - Anonymous

     

    'My favourite places to eat in this area are The Fountain Bar where their steak pie is delicious, Masti which always has excellent flavours and Cafe Florentine for breakfast or cakes and coffee' - Anonymous

  • Collaborative Mapmaking Session Stories

    13th of December
    This session was delivered by freelance artist Georgia Cowley.
    This session was delivered by freelance artist Georgia Cowley.
  • “I work in the Royal Edinburgh Hospital in the Occupational Therapy for the Acute Adult Mental Health wards. A couple...

    “I work in the Royal Edinburgh Hospital in the Occupational Therapy for the Acute Adult Mental Health wards. A couple months ago my line manager received an email with this workshops information. I was asked by my supervisors to come along for a session, to see the dynamics.”

    - Melina Ridaira

     

     

    “My memories of Fountainbridge are of the Palais De Dance in the sixties! Every Saturday night was the highlight of my friend’s and my week, going dancing at the Palais. The band was live and called “Fags and Matches”. My friend and work mate Eileen would hopefully meet up with a couple of chaps and meet them again on the Sunday, “Happy Days!

    - Louisa Coyle

     

    “ Years later in the eighties I had a friend whose husband worked in the Brewery at Fountainbridge, yet another connection!”

    - Louisa Coyle

  • Creative Writing Session Stories

    20th of December
    This session was delivered by our Project Admin, Ananya Sen.
  • “I was walking down the canal when I saw something interesting. There was a heron on the bank. It had a ribbon around its neck. It was red and velvet. I was pleasantly shocked. It was exciting. Scrambling, I reached for my phone to take a picture, just in case it disappeared. The heron strikes a pose. He is not afraid of being shot. The photo won the national geographic prize.” 

    - Collaborative Story, multiple authors

  • Polystyrene Relief Sessions Stories

    17th of January This session was delivered by freelance artist Morven Ferguson.
  • “I don’t have many stories about Fountainbridge because I don’t spend all that much time here (hopefully I will now that these wonderful Friday workshops are here!). My friends and I were going to go see “Small Things Like These” at the cinema over here (which is based on my favourite book by Claire Keegan) and we spent forever trying to find a place to eat beforehand- we'd been turned down quite a few times #rushhour. We had one option left which was a pub that looked a bit desolate but it ended up being lively and we ate some great food. We were so hungry and the food was so good and we saw a great film. It’s not the most extravagant memory but I cherish these small moments with the people I love and care about, even if we were three hungry monsters. 🌟”  - Anonymous
  • “I first heard of the art class through my brother, who is also at this class! He got the flyer...

    “I first heard of the art class through my brother, who is also at this class! He got the flyer at the Leith school of art in Leith! Telling about where, when and content. This is my third time and love the diversity of the changing processes each week. Stretching my imagination. The resident teacher is welcoming encouraging and makes it a pleasure to return each week. :) The visiting teacher are as well as being knowledgeable are friendly and explains in detail, in a language understood by allLooking forward to this year ahead with a excited anticipation.” - Louisa

  • “I am here at this amazing free workshop on Styrofoam printing today as I have recently quit my job in social work & one of my friends sent this through to me as a brain break on what to do next as I can’t go back to the unfair unhuman systems which control social work- & it has been perfect. I want to write instead though about the first time I stumbled across Edinburgh Printmakers. I was on a winter walk with my friend who felt like her whole world was falling apart. She had ended things with her long term partner, which meant she no longer had somewhere to live, they worked together so had to continue seeing each other & her mum had just been diagnosed with cancer. We walked for over two hours around Edinburgh & everything that could be said had been said but it was clear that she wasn’t ready to go home just yet, & then the Printmakers was there. For an hour or two we could wander around the exhibition, go to the cafe & talk about something calming & inspiring & just find solace from the harsh reality of real life. I have come back at other times when I have been seeking solace to Edinburgh Printmakers & have always found it warm, welcoming & dependable. I am glad the worth of Printmakers is being recognised in the 900 years of Edinburgh- long may it remain.” - Anonymous
  • “Travelling to the printmakers’ on the no 1 bus, I enjoyed the glimpses of Dalry cemetery, which the bus driven...

    “Travelling to the printmakers’ on the no 1 bus, I enjoyed the glimpses of Dalry cemetery, which the bus driven around. Those high walls enclose so many monuments to past burglers, and also a very current drama- the man who has led the gardening group which has worked a transformation of the cemetery is being sued by the inhabitant of the cottage which used to house the keeper. The current inhabitant greets all comers and gardeners with mourners' sirens and other weird noises, and the council can’t stop this. Travelling on the no 1 bus is so exciting!” - Anonymous

     

    Submit your Story