This Create Inclusion collaborative project brings together Garvald Edinburgh and Edinburgh Printmakers to support the professional development of three talented learning disabled artists: Kwok Kin Chan, Alison Edward, and David Lorimer.

 

Over two ten-week blocks of masterclasses, the artists have explored a rich variety of printmaking techniques, including Lego printing, photo-exposed screen printing, mono screen printing. dry point etching, tetra pack printing, collagraph printing and copper plate etching. Under the guidance of printmaker Fiona Maher and with tailored support from Garvald staff, the artists have been able to connect deeply with different processes and embed new techniques into their practices.

 

The project is a testament to how providing time, expertise, and a supportive environment can transform artistic practice. By removing barriers to inclusion it has enabled these artists to expand their creative possibilities and contribute their voices to Edinburgh Printmakers vibrant community. 

 

Supported by Creative Scotland Create Inclusion Fund.

 

Banner image: David Lorimer, Square colours, collagraph, 2025.

  • Artworks available for purchase

  • Sessions were held in the quieter Learning Studio at Edinburgh Printmakers which ensured the project met the sensory and access...

    Sessions were held in the quieter Learning Studio at Edinburgh Printmakers which ensured the project met the sensory and access needs of autistic artists Alison and David, and visually impaired artist Kwok. Through this considered approach, the artists’ confidence and skillsets have flourished and their visual language has expanded.

     

    Each artist has engaged deeply with the creative process. Alison and David thrived in the structured, routine-based sessions, gaining confidence and finding joy in the tactile processes of rolling ink, inking plates, and mastering the print press. Kwok navigated the technical demands of printmaking with determination, curiosity and innovation.

     

    The sustained approach and ongoing relationship with tutor Fiona Maher have been key to the artists’ growth. They have been able to explore at their own pace, revisit techniques, and develop a sense of control over their favourite processes.

     

    Presenting their work and discussing their experiences has boosted their self-belief and placed them firmly within the printmaking community.

  • Kwok Kin Chan Kwok Kin Chan Kwok Kin Chan Kwok Kin Chan

    Kwok Kin Chan

    "Fiona helped me learn, showed me first, I cant see, I’m blind. Fiona asked me what colours I want. I put ink on. Fiona had ideas for feeling and touch printing, lego, letter press, etching. The pictures went in the roller, and came out the other end. A picture through the printing bed, ink on plate, pushing the handle, heavy handle, pushing the paper through the printing bed. Peel the paper off, see the print. The big reveal exciting."  

     

    "Made origami, rolled in press, made it flat for collograph, then ink on plate. Also etched origami in the oven, baked."

     

    "Needle for drawing, dry point etching. Scratching, feel the lines on the plastic, good different" 

     

    "I liked the lego, for making different patterns, I could feel it, it is good to have help one to one to help me make my ideas become a print. To get things I can’t see, and helping me. I have ideas we need a bit of help 

    Lots of different types of printing, they are similar but not the same. Etching, screenprinting, lego printing, collograph, putting prints onto paper, putting ink it onto plates, scraping off the ink, cleaning the ink off, take the ink off. Cleaning and tidying up."

     

    "New art ideas from using different materials, new things with origami, and etching needle, fine line like biro pen I use to draw. Plastic screen, draws different on plastic screen to paper, the line is different. I enjoy it."  

     

    "I did lots of boats, I like boats I make them out of origami,  Horses and birds.  

    Made lots of new work, downstairs, the gallery exhibition room, we could go and explore. 

    We liked the ghosts prints too."  

     

    Read more about Kwok Kin Chan the Garvald Artists website.

  • David Lorimer David Lorimer David Lorimer David Lorimer

    David Lorimer

    "We learned lots of different ways to print. Some printing was quick, and some printing took lots of time and preparing."  

     

    "To get a new a environment, it was a different space, we were doing it in a real printmaking studio, It was good experience. Took time to get to know the place, learning a new space and people. Going lots of time was good, meant we got to know the space. We don’t have all the tools in our studio, so its good to go somewhere that has them and people that can teach us."

     

    "I did seasonal trees, in different colours for different season. I also did some animals. My last print is a tree and a tiger together." 

     

    "It was messy, being able to be messy was goodI liked the screen printing, and the etching, It was hard work, we were always tired at the end of the day, printmaking is hard work. But we enjoy it."  

     

    "We went upstairs and we told other printmakers that were there about our work and showed them.   We had breaks in between the weeks, to give us time to think about what we were doing." 

     

    Read more about David Lorimer on the Garvald Artists website.

  • Alison Edward Alison Edward Alison Edward Alison Edward

    Alison Edward

    "It was nice, the printing, the wheel, I loved the wheel, I was turning the wheel, the pictures went down through the wheel." 

     

    "Remember baking something, a plate in a cooker, it made the picture go and stay on the plate. Then we could  ink it and print it."  

     

    "Really want to make more and go back.  I made the koala bear, horse, birds, lots of animals."

     

     Read more about Alison Edward on the Garvald Artists website.

  • Words from the facilitator - Fiona Maher

    “There are things about this project that stand out for me, the shared problem solving to arrive at solutions to processes to accommodate different abilities , the decisiveness of the 3 artists regarding colour and composition and their willingness to embrace new techniques and use them to develop their work. There was a real sense of a shared journey, and I quickly felt trusted as a facilitator.”

     

    “As an artist, I have now used some of the adapted approaches to printmaking in my own work and very much enjoyed researching and testing out little tweaks to make techniques more accessible.”

     

    “This was a delightful project to be involved in, and the work produced is bold and confident, something I am still aspiring to.”

     

  • About Garvald Edinburgh

    Garvald Edinburgh provides unique day services for adults with learning disabilities and autism in Edinburgh and Midlothian. Their contemporary approach, inspired by the principles of Rudolf Steiner, emphasises creativity, meaningful engagement, and inclusion. 

     

    They offer a diverse range of art, craft, performance, food and garden-based workshops. The activities are carefully designed to foster creativity and community, enhance skill development, and instil a profound sense of achievement among their members. 

     

    Their modern facilities span five locations in Edinburgh and Midlothian, and their retail outlet, The Garvald Makers, showcases the exceptional handcrafted products made by their members. 

     

    Garvald Edinburgh are dedicated to creating a supportive and inclusive environment where every individual can realise their potential. Their commitment to excellence ensures that they continually adapt to meet the evolving needs of their members, ensuring they feel confident to connect with community in a way that is right for them. 

     

    Garvald Website

     

     

    This project has been supported by the Creative Scotland Create Inclusion Fund.