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This... I Like It includes a curated selection of prints from the EP Collection as well as new work produced by the Tiphereth members in response, adding to the vibrant and diverse timeline of printmakers producing works with Edinburgh Printmakers.
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Gordon Boyd
Mad March, 2009 -
John Brown
Flowers for Frida, 2010 -
Graham Fagen
My Favourite Flower is the Pansy, 2004Screenprint
Image 32 x 21 cm
Paper 57 x 38 cm
Edition of 26 -
Kate Downie
Ferry Down The Forth, 2009Lithograph and screenprint
Paper size 56 x 76cm
Image size 40 x 51.3cm
Edition of 30 plus 2 artist proofs -
Simon Laurie
Islay Pink, 2000Screenprint
Paper size 57 x 60cm
Image size 57 x 60cm
Edition of 40 -
Gwyneth Leech
Salt Sea Fossil Sea, 1989 -
Alice Melvin
Turkey, 2009 -
Moyna Flannigan
Foxglove, 2000Lithograph
54x39cm (Paper size)
24x20cm (Image size)
Edition of 18 -
Moyna Flannigan
Anemone, 2000Lithograph
54x39cm (Paper size)
24x20cm (Image size)
Edition of 20 -
Gillian Murray
Grimsay, Outer Hebrides, 2009 -
Susan Norrie
Midnight March, 1993 -
Sara Ogilvie
Towards Calton Hill, 1997 -
Eduardo Paolozzi
Enigma, 1999 -
Paul Moriarty
Tiger Lily, 1995Screenprint
Paper size 57 x 38cm
Image size 57 x 38cm
Edition of 100, plus 8 artist proofs -
Kelly Stewart
Jewel of the Marina, 2011 -
Edward Summerton
Come Together, 2005Screenprint
Paper size 58 x 63.5cm
Image size 53 x 50cm
Edition of 30 -
Colin Thoms
House by the Pond, 1992 -
Irena Zatulouskaya
Christmas Night, 1990
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Edinburgh Printmakers would like to thank all Tiphereth participants:
Lorna Shimmons - Sophie Mee - Kerr Findlay - Eilidh Maine - Caitlin Anderson - Mandy Meissner - Ali Greig - Paul Harper - Alison Johnston - Donald Scott - Ryan Toolis - Joe Pomphrey - Zack Greenough - Nils Mcdiarmid - Chris McDonald - Eve Tong - Paul McKenzie - Tess Glen - Jane Wickstead - Ruairi Mitchison - Laetitia Hein - Paulina Stahle - Katherina Kremer
Castle Mills: Then & Now is a heritage project supported by the National Lottery Heritage Fund, made possible by money raised by National Lottery players, the project focuses on growing and diversifying community heritage activities to widen reach and engagement, working with people and communities to generate ideas for new activities.