Simon Stronach

Works
  • Soviet Postcard (Red)
    Soviet Postcard (Red)
    Simon Stronach, Soviet Postcard (Red), 2025
    80.00
  • We Walk The Line
    We Walk The Line
    Simon Stronach, We Walk The Line, 2025
    80.00
  • Here Comes Your Ghost Again
    Here Comes Your Ghost Again
    Simon Stronach, Here Comes Your Ghost Again, 2018
    40.00
  • The Slim Chance Of Love's Recovery
    The Slim Chance Of Love's Recovery
    Simon Stronach, The Slim Chance Of Love's Recovery, 2018
    80.00
  • Blank Spaces Make Faces
    Blank Spaces Make Faces
    Simon Stronach, Blank Spaces Make Faces, 2017
    40.00
  • Darkness Creeps
    Darkness Creeps
    Simon Stronach, Darkness Creeps, 2017
    60.00
  • You Were Never Really Here
    You Were Never Really Here
    Simon Stronach, You Were Never Really Here, 2017
    50.00
Biography

Simon Stronach grew up in Aberdeen and was given his first camera as a Christmas present aged ten. He spent his adolescence taking moody monochrome photographs until leaving to study Archaeology at the University of Glasgow. Simon worked throughout Europe before settling in Edinburgh and expanding his practice using digital tools and hand printmaking. He joined Edinburgh Printmakers in 2013 and primarily produces photo-etchings. Printmaking provides a space for Simon to forget the day-to-day and express how he responds emotionally to the world. 

 

Simon’s process starts by creating digital exposures using his photographs as a base. His subjects are often architectural or sculptural spaces, abandoned completely or inhabited by strangers. Through Simon’s process these images are rendered into an otherworld by subtly layering or manipulating to create atmosphere and drama. The image is exposed onto a photosensitive metal plate and patterns of tone are etched into its surface. The hand printing process introduces unique character and patina. Simon’s titles are often cultural references that reinforce the work’s mood and invite contextual connections. The resulting prints are enigmatic: old and faded photographs found in a home clearance, fragments of someone else’s memories that resonate and invite speculation about what they depict. 

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